SEOUL, Dec 27 (Reuters) – Lee Sun-kyun, a South Korean entertainer who drew worldwide consideration with his exhibition as the rich patriarch in the Oscar-winning film “Parasite”, was found dead on Wednesday in an evident self destruction in a Seoul park, authorities in the capital said.
Lee, 48, who met a shocking end in the 2019 film, South Korea’s first to win any Oscar, had confronted police addressing multiple times over allegations of unlawful medication use in the midst of an administration crackdown, with one meeting running 19 hours throughout the end of the week.
The entertainer had said he was fo consuming medicationsoled into by a bar leader attempting to coerce him, the Yonhap news organization revealed.
Specialists found Lee in a hunt set off by a report for someone who has gone missing, a fire official told Reuters on state of obscurity, as the matter is a delicate one.
Lee was found in a vehicle at a recreation area in Seoul, after his chief told police the entertainer had ventured out from home, abandoning an obvious self destruction note, a police official expressed, talking on state of secrecy.
Lee’s organization, HODU&U Diversion, didn’t answer calls.
Notwithstanding, homegrown media refered to an assertion by the office that communicated trouble at the passing, while at the same time encouraging restriction with respect to bogus data, hypothesis, or pernicious reports.
Encroachments of South Korea’s extreme medication regulations can prompt a half year in prison, or as long as 14 years for habitual perpetrators and vendors.
A dim satire spine chiller coordinated by Bong Joon-ho, “Parasite” won the Foundation Grant in 2020 in the four classifications of best picture, best chief, best unique screenplay and best worldwide element film, off six Oscar selections.
The film turned into the principal non-English language film to win the best picture grant. Bong hailed its ubiquity as a sign that the “one-inch-tall hindrance of captions” was at this point not a hindrance to worldwide achievement.
In the film, Lee played the personality of Mr Park, whose rich home is penetrated by individuals from a lower-class family acting like profoundly qualified homegrown specialists in a tangled plan that finishes in savagery.
The film turned into the principal non-English language film to win the best picture grant. Bong hailed its ubiquity as a sign that the “one-inch-tall hindrance of captions” was at this point not a hindrance to worldwide achievement.
In the film, Lee played the personality of Mr Park, whose rich home is penetrated by individuals from a lower-class family acting like profoundly qualified homegrown specialists in a tangled plan that finishes in savagery.
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